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50 Parameters

4.4 The Play View

The Play view is where the main performance oriented modules are located. Key parameters from

the Edit and FX view are also included for quick access. This view is loaded when starting the

instrument and can be accessed from another view by clicking on the Play button on the top part

of the interface.

The middle section of this view allows one to switch on and off the EQ, Compressor and

Reverb as well as the active effect modules. Key effect parameters are also adjustable as presented

in the description of the different effect modules in section 4.3

4.4.1 The Clock Module

This module is used to control the tempo of the different effects of the FX section as

well as that of the LFO and Arpeggiator modules when their respective sync button is

switched on. When String Studio VS is launched in standalone mode the clock tempo,

in bpm, is set by using the Rate knob. The tempo can also be adjusted by clicking at the

desired tempo on the Tap Tempo pad of the module. Once the new tempo is detected,

the value of the Rate knob is automatically adjusted.

When using String Studio VS in plugin mode, the Tap Tempo pad is replaced by a Sync To Host

switch. In its on position, the rate is synchronized with that of the host sequencer. When switched

off, the tempo is determined by the value of the Rate knob.

4.4.2 The Key Module

The Key module controls how the synthesizer voices respond to the events coming

from an external MIDI keyboard or from a MIDI sequencer.

The keyboard can be monophonic, allowing one to play only one note at a time,

or polyphonic, allowing one the play chords. This behavior is adjusted with the Mode

drop-down menu. The Priority control, located below the Mode control, sets the behav-

ior of the keyboard when several notes are depressed at the same time in monophonic

mode or when the maximum number of polyphonic voices has been reached in polyphonic mode.

In monophonic mode, the Priority determines which of the lower, last, or higher note has prece-

dence when several notes are played. In polyphonic mode, this control determines which of the

lowest, highest, or oldest note is muted in order to replace it with the newest note played once

the maximum of polyphonic voices has been reached. Note that since this parameter determines

the note priority, the stolen note will be the opposite of what appears in the control display. The

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